GoGo Penguin – Hopopono


GoGo Penguin – “Hopopono” from the album “v2.0”

GoGo Penguin are a Manchester trio consisting of Chris Illingworth (piano), Nick Blacka (bass), and Rob Turner (drums).

influences include Aphex Twin,  Shostakovich and Massive Attack. v2.0 (their second album on Gondwana Records) has been named as one of the Barclaycard Mercury Prize Albums of the Year.

GoGo Penguin – v2.0

1) Murmuration; 2) Garden Dog Barbeque; 3) Kamaloka; 4) FortOne Percent; 5) Home; 6) The Letter; 7) To Drown in You; 8) Shock and Awe; 9) Hopopono

GoGo Penguin - v2.0

Phronesis – Life To Everything

Phronesis – “Urban Control” from the album “Life to Everything” recorded live at Jazz in the Round, The Cockpit, London

Life To Everything

1. Urban Control (Anton Eger)
2. Phraternal (Ivo Neame)
3. Behind Bars (Jasper Høiby)
4. Song for Lost Nomads (Ivo Neame)
5. Wings 2 the Mind (Jasper Høiby)
6. Nine Lives (Jasper Høiby)
7. Deep Space Dance (Ivo Neame)
8. Herne Hill (Anton Eger)
9. Dr Black (Anton Eger)

Phronesis life to everything

Jasper Høiby – Double Bass

Ivo Neame – Piano

Anton Eger – Drums

I love that “open” sound live albums always seem to have. An absolute must-buy.

Anouar Brahem – The Astounding Eyes Of Rita

Anouar Brahem – “The Astounding Eyes Of Rita”

As a Tunisian oud player and composer, Anouar is widely acclaimed as an innovator in his field. He performs primarily for a jazz audience, fusing Arab classical music, folk and jazz.

“The Astounding Eyes Of Rita”

Anouar Brahem – oud, Klaus Gesing – bass clarinet, Björn Meyer – bass, Khaled Yassine – darbouka, bendir

All compositions by Anour Brahem

Anouar

“The Lover of Beirut” – 7:44, “Dance with Waves” – 3:56, “Stopover at Djibouti” – 6:34, “The Astounding Eyes of Rita” – 8:41, “Al Birwa” – 4:51, “Galilee Mon Amour” – 7:17, “Waking State” – 7:48, “For No Apparent Reason” – 6:35

Writing for The Guardian reviewer John Fordham observed “In recent years, Brahem’s work has been more refined and reflective than groove-inclined, but this vivacious quartet set marks a return to the chemistry of Thimar, and it’s a richly varied and often thrilling piece of world-jazz”.

Writing for All About Jazz, John Kelman noted “After two discs of sparer chamber music, it’s great to hear Brahem back with a pulse; but with Meyer, Gesing, and Yassine as partners, he’s retained the elusive mystery of albums like Le Pas du Chat Noir (2002), making The Astounding Eyes of Rita his most aesthetically unified album to date”.